When does something stop being a “technology”? The word technology is a loaded term that is full of futuristic newness— the information age, the network society, the post-industrial era—-all the hopes and fears of “modernity.” These thoughts swirled in my mind when my friend forwarded me Karen’s Leland’s column from The Huffington Post, Does Friendship Trump Technology?

In the article, she talks about how utility technicians accidentally cut the internet line to her house just as she was trying to get online to map directions to a meeting. She gets in her car and starts considering several options to get to an internet connection and then realizes that the quickest way to find directions was to actually use her cellphone to call her friend, who could then look up the direction online from her house. With her friend’s help, Leland gets to the meeting place early enough to even get a cup of coffee. Leland’s point is that friendship is more important than technology because in the end it was her friend who helped her, not the internet: “Technology is great, but a girl’s got to have friends.”

When I read this, i thought that it didn’t make any sense. Her friend fulfilled her role as a good “friend” through the use of technology. Her friend answered the phone call at an inconvienient hour, but nevertheless did so because Leland used her cellphone to wake up her good “friend.

Essentially Leland’s whole entire story could not have taken place without technology tools. To even get to her meeting, Leland is driving in a car that has an engine powered by an internal computer. To even reach her friend, Leland has to use the cellphone. For her friend to even process images, she has to find her glasses. For her friend to even give direction, she has to turn on her computer to get to mapquest (btw tell your girlfriend to use google maps - she can tell you traffic patterns and give you street view).

We can even look at it in another way - the stoplights that are programmed to direct the traffic that Leland is driving in, the coffee machine that makes her coffee, the cellphone towers that enables the calls through the electro-magnetic spectrum, the internet router her friend uses to get online - on and on. Anything and everything can be technological. The entire story is only possible with objects that create the space for the rich interaction that she has described.

Leland’s article points to one common way that technology is defined, as a new system or set of practices that are antithetical to human interaction, alienating people from friendship, love, and human touch. Technology (for Leland the unavailable internet) is seen as the anti-connector -  but the ironic part is that Leland uses technology to connect to her friend who could then connects online to connect her to the directions she needed to connect to her meeting.

Technology and human interaction are not mutually exclusive - we use tools to get things done. What if the article was titled, Does Friendship Trump Tools? Or Does Friendship Trump Cars? Or Does Friendship Trump Pencils? It just sounds ludicrous because it points to the illogical boundaries on what we define as “technological.”

Leland’s point that technology does not trump friendship also reveals an underlying fear that technology would even be in a place to trump friendship. Her statement is an affirmation that her friend was there for her when her technology failed her. Is this a new way of defining friendship? Who do we turn to when our technologies fail us in critical moments?

What I think is interesting in this article, is that it actually points to a discursive cultural change in the way that elites or let’s middle- to upper-class people think about cellphones - that it has become so integrated into their lives that it’s taken for granted now as a mundane tool - just like a car or pencil or eyeglasses. NOW That’s interesting!

So at what point is an object not a “technology” and just a mundane object? Well one way is to see how it is incorporated it into discourse.  In this article, the discourse of the cellphone is dis-associated from “technology” because it referred to as a non-technology.

Another way is to notice how images of technology are incorporated into our visual culture. Look at the way visual culture in music videos and movies reenact scenes of everyday life.   Do you notice when your favorite TV shows incorporates a pencil into the story - no because it is just a mundane object (unless the specific topic is about the pencil). For example, movies and music videos often show characters using cellphones as part of the interaction. I know that from a more mainstream cultural studies point of view this is usually interpreted as the selling of “coolness” - the selling of the need to consume a cellphone as part of a modern consumer. ok  - point taken and yes I agree.

However, another way to think about it is that many of the interactions cannot take place without the cellphone - and that speaks to the role of this technology as an everyday object that is assumed to be part of interaction  - as if only with the cellphone such interaction could be accomplished. It’s hard to imagine how Leland could’ve reached her friend from her car without the cellphone unless she did it telepathically.

The first time I actually thought that the cellphone may be a mundane technology for Americans or Westerners or middle- to upper-class users was when I was watching Rupaul’s Drag Race (part 6 episode 6) where the drag queens had to compete for the best impersonation of a female executive.

When the queens took to the runway, each of them had a different outfit with various tools to support their look   - such as a briefcase of files or glasses or purse. 3 out of the 4 contestants drag queens started their “Executive Realness” impersonation with a cellphone!  They pretended to be on an important business call.  The one who didn’t use the cellphone chose a briefcase as the stand in for “executiveness.” (oh and just in case you are curious, Phoebe, middle, was “excutive fabulousness.” A judge said that Rebecca Glasscock, far left,  looked like “Donald’s Trump next ex-wife.”)

So what’s the connection between Leland’s Huffington Post article and Rupaul’s Drag Race? The cellphone is mundane! From Leland’s post to Rupual’s drag queens - it’s just a part of the everyday - and who better than drag queens to exaggerate the everyday - the queens of impersonations are best at pulling out the mundane ways we re-enact power in a gendered way.

Ok Tricia so why is it so important to understand that the cellphone could now be considered mundane? In terms of my research with new technology users, it just reminds me how careful I need to be in what kind of assumptions I bring to my research, such as my research questions, analysis and conclusions. I live in a country where a cellphone may mean one thing - which I am saying may have become a mundane everyday tool - but I do research in other countries where the cell means an entirely different thing - a non-mundane tool.

Even with technologies that are not mundane - the researcher still needs to be aware of what that the tool means to her/him - but my point is that one has to work even harder to be self-reflective about the taken for granted ideas that we bring to our fieldsites or to the design process with technology that have become ordinarialized (yes I made that word up).

I think one of the consequences of technologies becoming everyday, is that it’s hard to think about its usage in a context entirely different from our own experience. That then leads to certain assumptions and hope about the role of the technology. I find that this is most problematic in technology projects that are tried in “developing” areas of the world. You have all these “first world” or Western funded NGO’s going into these impoverished regions “bringing” or “introducing” technology with the hopes that it will jump-start economic development in the region. I find myself cringing at these projects because one, there is already lot of criticism over the failure of technology-based development projects, but also because these projects are run by people who come from the US or Europe - where technology is used in a very socially and culturally specific context. What happens then is that these people think, “well the internet is helpful for me, so it will be helpful for others who won’t have it. Life for these people will be better with internet access.” I don’t dispute that people have more choices with access to more information, but access to information is sooo socially contexual that how information is then used, processed, fulfilled, interpreted, recycled, managed and mashed - is specific to each region/community/country and I it is too often that this is not considered.

Instead, technology for development projects tend to take a linear approach where the goal is to bring the community “up” and out of poverty. There are assumptions that quality of life is a uni-directional march towards modernity and the tools that come with it.

One way to get out of this trap is that I think researchers of technology use need to spend more time understanding the mundane among new users. This takes time. This it one of the roles of ethnography. The mundane is the everyday - the take for granted. If we can better understand the everyday, then we can better understand the role and meaning of new technologies, which then leads to the greater possibility of more relevant designs for new users in new-to-us markets.

Baraniuk argues that this trend of narcissism as it plays out on Facebook “obscures” the true self, whereas I think it does exactly the opposite. Narcissism as it plays out on social media forces users to encounter, confess and become hyper-fixated on themselves, always with the intention of passing off their performative fictions as fact. The Foucauldian “so what?” that follows is that the hyper-fixation on the self, indeed the very invention of the self, is to keep people self-policing and self-regulating. To assume the self is natural precludes the sort of identity play that is possible and possibly transgressive.

I love moleskin. I love its deep respect for user creativity.

The blank black leather cover whispers to the notebook owner,

“I trust you with this empty space to do what you need to do with it, just promise to carry me with you wherever you go. “

And its owners are loyal to Moleskin because of this message. Someone could put lots of stickers or someone could just tape their name on the cover or just leave it empty and allow time to wear its way in. It’s the tool for the mobile -  from wanderers to ponderers to thinkers to writers to programmers to storytellers and creators.

It’s not demanding or loud, but it’s not dull or passive. It sits there, comfortable in being opened or closed, knowing that eventually the idea from you will come. Its thick paper weight can bear the erasing, the constant revisions. The pen can scribble over words with great stress without burning onto the next page. This is the beauty of quality paper - the paper allows the ink to sink in without fading over the years. It holds ideas in process and it allows you to return to them. Ideas take years to work through, and the moleskin has been designed for this.

Moleskin has expanded into a new product line - bags, pencils, and book lights. (I must admit that I am excited to buy their book light even though I haven’t seen it yet! ) This new line speaks to their attentiveness to designing auxiliary supplements for the moleskin eco-system. The social life of a moleskin now has more texture than ever. Moleskins are no longer just limited to Muji writing tools; it can now have friends of its own kind.

Speaking about the new product line, Maria Sebregondi from Moleskin says:

“The idea has always been to put the notebook in the center of the galaxy, a system of nomadic objects related to contemporary lifestyle and technologies.”

She goes on to say that the

“Moleskine is a cultural icon. It is not a simple notebook, and it is not a commodity, but a free platform for creativity.”

If we look beyond the branding jargon - because let’s not kid ourselves, it’s a commodity and we don’t need to get Marxian now - what’s lovely about this statement is that it reminds us to see our daily objects as cultural.  The moleskin for creative and professional community signifies creativity - physically and symbolically.

So what digital tools are cultural icons now?  iphone and ipod, and very soon the ipad will become one if not already. The Apple design philosophy in many ways mirrors Moleskin’s design values: Anonymity, Simplicity, Desirability, and Usability.

So I’m wondering out loud - in our mobile society, cellphones are at the center of our entire social worlds. What kind of nomadic objects can be designed to support the cultural centrality of cellphones to our lives?

This question would be vastly different if instead of cultural centrality, I said practical centrality. If designing for practical centrality, I would think about mobile banking, distance education, digital health, battery longevity or e-governance. 

But if we’re designing for the cultural centrality, I think about games, the physical extensions of cellphones, its role in relationships, identity, social settings, physical places or creative uses.

Just thinking out loud for project ideas after 4 months of being offline and doing fieldwork in China (I’ve been blogging about it on Bytes of China). I’ve only been offline for 4 months and it feels like I will never catch up on all the news & blogs that I missed! How could I have just found out about Molekin’s new line!  I can’t wait to buy the Moleskin book light - I’m such a sucker for these kinds of commodities!

As social actors we expect authenticity in others, and in ourselves. In a time of constant documentation, our online personas become our reflections, and they must not only be ideal, but also truthful. As such, we do not document falsehoods, but preemptively create documentable situations in an effort to present a self that is simultaneously ideal and authentic.
The space in which we live, which draws us out of ourselves, in which the erosion of our lives. our time and our history occurs, the space that claws and gnaws at us, is also, in itself, a heterogeneous space. In other words, we do not live in a kind of void, inside of which we could place individuals and things. We do not live inside a void that could be colored with diverse shades of light, we live inside a set of relations that delineates sites which are irreducible to one another and absolutely not superimposable on one another.

Michel Foucault, “Of Other Spaces”

No other essay has informed the way in which I understand and articulate the digital space more than this essay by Foucault. If you read nothing else by Foucault, at least read this essay. You will never look at mirrors or boats the same way again.

(via modernandmaterialthings)